MORGANICS JAM – CROKER ISLAND


As part of a recent workshop on Croker Island I collaborated both with the students and with the great hip-hop workshop team which is Morganics, Will Grilla and Finton Mahony. This is the resultant clip! More pics from the week at – http://james-dodd.com/mamaruni-school-croker-island/

DREAM MACHINES – HAZELHURST REGIONAL GALLERY – FULL SET OF PICS NOW ONLINE


JAMES DODD -Artist interview, Dream Machines, Hazelhurst Regional Gallery. from James Dodd on Vimeo.

FULL SET OF PICS FROM DREAM MACHINES HERE >>>>>>>>>>>>>>>>>>>>

SCHOOL HOLIDAY MURAL WORKSHOP AT THE BARN



https://www.facebook.com/events/1966535333605284/?active_tab=about

SHED WIZARD – ARTLINK REVIEW



As written by the lovely Serena Wong, long-time FELT Space director and recent addition to the Riddoch Art Gallery team. Click this…….

BENCH TALK – PODCAST INTERVIEW WITH TOM GERRARD


——- LINK TO SOUNDCLOUD HERE ——-

DREAM MACHINES – CURATOR AND ARTISTS IN CONVERSATION



SHED TIME VIDEO



JAMES DODD Shed Time June 2017 from James Dodd on Vimeo.

Here’s a little vid that offers a bit of behind the scenes in my studio. I have been working with Sam Roberts to document my work for a long time now and this video is the result of testing some new equipment and testing a candid presentation style, perhaps a bit like a DIY or hardware demonstration video.

DREAM MACHINES – HAZELHURST REGIONAL GALLERY


Dream Machines James Dodd

Dream Machines brings together five artists and collaboratives who are modern day Da Vinci’s – contemporary polymaths – whose practice intersects art, science, technology, engineering and mathematics. They are simultaneously artist, scientist, engineer, thinker and inventor.

The artists, James Dodd, Wade Marynowsky, David Lawrey & Jaki Middleton, Cameron Robbins, and Tricky Walsh, are at the forefront of contemporary art practice in Australia. They produce functional artworks and imagined machines which audiences can engage and interact with: a remote controlled painting machine, a machine that interprets the movement of the sun, a theoretical communication device, three automatons created from vintage gramophones, and robots that perform an opera.

At the core of this project are ideas centred around DIY aesthetics, backyard inventors and the suburban shed, the adaptation of existing and utilitarian objects, the machine aesthetic, hacking and re-purposing, and how creativity is integral to innovation.

The exhibition launches on Friday the 21st of July and I will be working in the gallery over the weekend immediately following. I will also be presenting a master class in association with the exhibition in which I will offer a full day’s experience of working on a version of the Painting Mill.

My participation in this project has been generously supported by the South Australian Government via Arts South Australia.

HADLEY’S ART PRIZE – FINALIST



james-dodd-nowhere_lores

Nowhere, 2016, Acrylic on linen (137 x 96cm) has been shortlisted as a finalist in the inaugural Hadley’s Art Prize. The winner will be announced on Friday July 14th and will be awarded a whopping $100000!

‘Nowhere is a painting produced as part of a suite of works responding to sites along the Murray River, within South Australia. The work incorporates visual impressions of the cliff faces that are iconic to this region and interprets the colours and textures of the landscape as a heightened, almost synthetic experience. All of the text, marks and inscriptions that are integrated into the representation have been collected from physical surfaces of the region. This is to say that the original marks are the scrawled residues from people who have passed through and inhabited the region over an extended period of time. I have a long standing interest in the ways in which graffiti, marked and found on public surfaces might be incorporated into representation of landscape in such a way as to imply the people and histories of places.’

SHED WIZARD – TOURING EXHIBITION



SW IG PROMO IMAGE

I’m quite stoked to announce that next week will see the launch of a solo exhibition that will tour regionally across SA and looks back at a range of my outcomes over the last five years or so. This is the result of a long period of work together with Country Arts SA, especially Eleanor Scicchitano and Brad Lay. We have a very sharp looking catalogue which features a cracker essay from the inimitable Leigh Robb and lots of sumptuous images courtesy of Sam Roberts.

Saturday July 1st will see the first version of the show open at Walkway Gallery, in the place that I grew up, Bordertown, SA. The exhibition will subsequently be presented in Murray Bridge and Goolwa, throughout the remainder of 2017 and early 2018.

This really has only been possible with the help and support from lots of people over a long period of time. I look forward to sharing this show with a whole bunch of new and old friends across the state!